Posted tagged ‘the only thing that lasts’

Ten-Year Anniversary Edition Released of Iron Pioneers: The Marquette Trilogy, Book One

April 21, 2016

Marquette, MI, April 20, 2016—In 2006, local author Tyler R. Tichelaar published his first novel, Iron Pioneers, which was soon followed by two sequels, The Queen City and Superior Heritage to complete The Marquette Trilogy. Now Tichelaar is celebrating the ten-year anniversary of this first novel by reprinting it with a new color cover, an interior historic map of Marquette, and a new preface “Creating a Literature for Upper Michigan.”

Iron Pioneers has a new cover for its ten-year anniversary edition as well as a new preface.

Iron Pioneers has a new cover for its ten-year anniversary edition as well as a new preface.

“It felt like the ten-year anniversary of my first book was a reason to celebrate,” said Tichelaar. “And Iron Pioneers remains my bestselling book to this day, but I was never happy with the brown cover, which was chosen by my publisher at the time. I initially envisioned a gold cover, so I’ve chosen that, which seemed appropriate for an anniversary edition.”

Tichelaar first had the idea to write novels set in Marquette back in 1987 when he began writing his first book, eventually published in 2009 as The Only Thing That Lasts. But it was in 1999, when he was living in Kalamazoo, earning his Ph.D. in Literature, and homesick for the U.P., that he had the idea to write a novel that covered the scope of Marquette’s history. “It was Marquette’s sesquicentennial year,” he said, “and I felt it was time to tell Marquette’s story in a new way that highlighted its significant role in American history.” Tichelaar planned to write one novel, but the more research he did, the larger it grew, until it eventually became a trilogy. “It was seven years from conception to publication,” said Tichelaar, “but nearly 600,000 words and countless drafts later, I found it all worth it when people began reading The Marquette Trilogy.”

The plot of Iron Pioneers begins with a prologue about Father Marquette coming to the Marquette area. It then moves ahead to 1849 when Marquette was founded. It follows several fictional families through the early pioneer years, the Civil War, the fire of 1868, and the growth of Marquette. Numerous historical people, including Bishop Baraga and Peter White, are featured in the story. The story concludes in 1897 with the celebrations surrounding the Father Marquette statue’s unveiling. The successive books in the trilogy continue the story of Marquette’s history up to the sesquicentennial celebrations in 1999. “I wanted readers to feel they were stepping back in time to meet Marquette’s pioneers and to come away appreciating the sacrifices they made and the courage they showed when the settled here,” said Tichelaar.

Tichelaar has been very pleased with his readers’ responses to Iron Pioneers and his other books. “People tell me that they look at Marquette differently after they read my books. They notice old buildings, wonder about the people who once lived or worked there, and want to learn more about them. Tichelaar also noted that when he began writing Iron Pioneers, there was a lack of adult fiction set in Upper Michigan. Since then, the number of U.P. writers has exploded. “Today we can be proud that we have a vibrant and diverse U.P. literature,” said Tichelaar. “We have novels, history books, and poetry. I know of over one hundred U.P. writers all doing their part to capture the essence of our life here. I am proud to be one of the pioneers of that movement, and I intend to write many more books for the people who love this place and call it home.”

Iron Pioneers, The Marquette Trilogy: Book One (ISBN 9780979179006, Marquette Fiction, 2016) can be purchased in paperback and ebook editions through local and online bookstores. For more information, visit www.MarquetteFiction.com. Review copies available upon request.

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My 25 Year Author Anniversary

June 4, 2012

Today is my 25th anniversary as an author. I count today as my anniversary because it was on this day, June 4, in 1987 that I started writing the first novel I would complete. I had made a couple of other false starts prior to that date, but that day I decided I was going to write my first novel and I was going to be dedicated about it. It was the first day of summer vacation following my sophomore year of high school, and every day that summer, I religiously sat at my desk from 10-12:30 every morning working on my novel, titled Marquette: The Life and Times of Robert O’Neill. I did not finish it until a couple of years later, and that rough draft was then revised and sent out to receive rejection letters before later being revised and finally published as The Only Thing That Lasts in 2009.

I have a special fondness for that novel, although I don’t think it my best, because it was my first completed book. It is the book from which I learned what writing a novel was about. Through its many versions, there were chapters that were cut out as extraneous, passages I wrote and rewrote, and ultimately, I learned the craft of tightening sentences, writing believable dialogue, and developing a plot that kept moving.

Of course, I spent a lot of time wasting time, but in those days I didn’t have a TV in my room to distract me, or a computer. I wrote by hand with a pencil on lined notebook paper, and my biggest distraction was stopping every 20-30 minutes to flip over the record I was listening to–usually one of many old Broadway musicals which I credit with teaching me a lot about character development and pacing, and opening up favorite books to read over passages I thought I could learn from, like Catherine’s death scene in Wuthering Heights which I could use for creating Robert’s mother’s death scene (that scene was later cut from the novel anyway). I was also, especially in writing this novel, heavily influenced by Gone With the Wind, which is why the Southern element creeped into the book–something I had no firsthand experience with, although I later drew on my experiences living in South Carolina from 2000-2001 to make it a bit more authentic.

Looking back, I’m surprised I was as committed as I was to writing every day. But I lived in Stonegate by the Crossroads where I didn’t have a car and not many friends at that time who lived nearby so I had no distractions really like I might have found had I lived in Marquette or Gwinn where I went to school. I stopped at 12:30 each day to eat lunch and then throughout the rest of the day, I would think about my book so I could figure out the next scene to write the next day.

So to celebrate my anniversary, I present the first chapter of that first novel, although this first chapter was written much later in about 2005 when I heavily revised the novel. The original manuscript had three quite boring chapters that this chapter replaced so it could get the story moving much more quickly.

Chapter 1

Going North

            “So, you’re going up North to live with those damn Yankees. How do you feel about that?”

Mr. Carter turned his head to spit out a wad of tobacco, then turned back to look me straight in the eye. We were sitting on my parents’ front porch. I had known Mr. Carter all thirteen years of my life—he was an old family friend, having known my grandparents on both sides of the family—yet I had never felt overly comfortable around him. Since my father’s parents had long since passed away, he had come over to our house often, to “check up on” my dad, and to give him some fatherly, if unwanted, advice. My father was always cheerful toward Mr. Carter, my mother always polite—yet many times I had caught the irritated glances my parents exchanged when they heard Mr. Carter’s knock on the door. Because my parents had raised me to respect my elders, I usually did not become riled by Mr. Carter’s comments—if today were different, perhaps it was because my mother had died a couple days before—or perhaps because my father was away fighting in the Great War in Europe, and we had not heard from him in weeks—or perhaps because in a couple hours I would be boarding a train with my aunt, to go live with her and my grandmother in the North, until my father returned home.

None of these events had caused me to lose my temper in the last few days—not even when Mr. Carter continually spat tobacco juice on my mother’s whitewashed porch. But his comment that I would be living among “damn Yankees” now stirred me enough to retort:

“My family are Yankees!”

I sneered out the damning word “Yankees” in mockery of how all good South Carolinians spit it out. Even if my family were half-Yankees, I would not have them insulted.

Mr. Carter frowned.

“No, they’re not,” he said slowly, pulling out his tobacco can and putting another plug into his mouth. “Your family comes from good Southern blood—your father was born here, as were both your mama’s parents, even if your mama was born up North. Your folks were probably ashamed to tell you so, but your grandpa’s family were deserters of the Cause; they moved up North before the war, and then your grandmother went and married your grandfather when he was down here as part of the occupying Union Army during Reconstruction. So I guess you could say she deserted too. But your grandmother comes from one of the oldest and finest families in the South—her aunt, Abigail Richmond, could have been the first lady of the Confederacy had she wished. But instead she chose to associate with Northern carpetbaggers and scalawags. That’s how your grandma met your grandpa, at some fancy party her Aunt Abigail held for those damn Yankee soldiers.”

I felt incensed. How dare he spout off my family history to me, as if I did not know it! But truthfully, I knew none of this. I had never thought to ask why my mother’s family lived in Michigan, or how she came to meet my father who was from South Carolina, or why we lived in the South and not the North. And now my mother was dead, and my father was overseas, so I might never be able to ask him about these things. Oddly, my parents had never spoken of the Civil War, and while I had learned plenty about it in school, somehow I had never thought to ask about our family’s role in it. My schoolmates all knew about their family’s roles in that war; they all could list with great pride every battle a grandfather or great-uncle fought at. I always remained silent during these discussions—perhaps because I sensed that in the South where the Confederacy lived on in so many hearts, something must be wrong with my family never to mention the war.

Could my grandmother have really married a Yankee soldier? Was I the grandson of a Yankee? Were my mother’s relatives really traitors to the Cause? I could not believe any of it. I would never be able to hold my head up again at school if it were true—only I would not be going back to the local school. I would go to school in the North with Yankees! I felt my family pride dying inside me. Mr. Carter couldn’t possibly be right, could he?

“Ha!” chortled Mr. Carter. “I bet I know more about your family history than you do!” He let out another stream of tobacco juice as if to affirm the statement.

I was angry, but I could not argue—he probably did know more about my family history, yet he had no right to call my family members Yankees and deserters.

Mr. Carter was about my grandmother’s age—in his early sixties—too young to have fought in the war. He was of that unfortunate group of Southern boys who had hoped the war would last long enough for them to join up, so they could restore the failing Confederate Army, but by the time Mr. Carter was ten years old, Lee was defeated, the Union restored, the South occupied by Northern soldiers. But Mr. Carter could remember the South’s defeat, and he had been a friend of my father’s father in his boyhood—if that were the case, then he probably did know all the details of my family’s history during the war, and perhaps he did speak the truth now, but he had no right to throw it in my face, to dishonor my family the day after my mother was laid in her grave.

“Excuse me,” I said and went into the house.

“Robert, I’ll be ready to go in ten minutes,” said my aunt as I came in the door.

For a second, I considered that she might know the truth—she was my mother’s sister; she lived in the North, unmarried, with my grandmother—who probably knew everything about the family. I thought of asking my aunt whether Mr. Carter’s words were true—were our family deserters of the Southern Cause? But if it were true, I was not yet prepared to hear it. I went into the bathroom to be alone with my thoughts.

My mother’s family Yankees? How could I think of them that way? But they did live in the North. I had seen them so rarely that I had never thought about why they lived so far away, and now I was going to live with a grandmother who had married a Union soldier, and worse, that Union soldier had been my grandfather! My father must have known this, yet he had married my mother, the daughter of a Yankee soldier. I wished I could contact my dad. I wondered whether he would have consented to my living up North if he were aware of my mother’s passing. We had sent him word, but who knew when he would receive it?

Maybe I didn’t have to go. Maybe I could stay with Mr. Carter until my father came home—but living with Mr. Carter wouldn’t be much better than living with Yankees. Could I live in my parents’ house by myself? I was thirteen now, and Nellie, my parents’ Negro servant, could still come over to check on me and cook my meals.

But I knew the grownups would think such a plan impractical at my age.

I stared out the bathroom window, at the beautiful willow trees and my swing hanging from an oak. I wondered whether I would ever see our magnolia tree blossom again. I knew the North didn’t have magnolias. From what Aunt Louisa May had told me, they didn’t have much of anything except snow.

“Robert, we’re ready!” my aunt called. “Hurry or we’ll miss the train.”

Who was she to decide where I lived? But I couldn’t be rude to her any more than to Mr. Carter. And she had always been kind to me, and I knew my grandmother was kind as well. It was not my aunt’s fault if she were born a Yankee—she could not help where she was born, and she had been born long after the war. I could blame my grandmother, but she was taking me in now. I felt rather relieved to think I wouldn’t be going back to school here—I would have been ashamed if my friends found out about my Yankee connections—imagine what they would think when they heard I was going to live among Northerners? Perhaps the North was the only place I would be accepted now. But that was silly—all our neighbors knew my mother was from the North. I was making too much out of it all. The war had ended over fifty years ago—it probably didn’t matter to anyone now except an old man like Mr. Carter.

“Robert!”

“Coming!” I shouted. I flushed the toilet so no one would think I had simply gone into the bathroom to avoid Mr. Carter. Why did he have to tell me all this the very day I was leaving? Why couldn’t my parents have told me this before? Was our past so besmirched that they had thought it best to keep it from me?

When I stepped out the front door, Aunt Louisa May was standing on the porch.

“There you are,” she said. “Hurry and say goodbye to Nellie so we’re not late for our train.”

Nellie stood by Mr. Carter, handing him luggage to place in his wagon so he could drive us to the train station.

I went down the front steps and walked up to her. “Goodbye, Nellie.” I held out my hand, but she did not blink until Mr. Carter took the suitcase from her. Then she buried me in her arms. “Be good for your aunt, Robert,” she said.

She had been like a second mother to me. I had known her all my life. Three times a week she had come to help my mother with the cooking and cleaning, and often she had postponed her work to chat or play a game with me. Now I felt as if I were losing my mother all over again.

“I wish you could come with me,” I said as she released me.

She laughed and said, “What would I do up North? Besides, you know I’m a married lady now.”

She had married just a year ago. I held a fierce hatred toward her husband whom I did not think good enough for her. But secretly, I felt he had partly stolen her from me.

“Then I wish I could stay, and you could look after me,” I said.

I felt the childishness of this remark—I was practically a man, after all. But I had been unable to stop myself from speaking the words.

“You’re getting too old to need looking after. And you’ll be back before you know it—your father will be coming home soon.”

She was trying to cheer me, but from all accounts, the war in Europe was far from over.

“Here’s the key, Nellie. I locked the door,” said Aunt Louisa May. “Let us know if you hear from Robert’s father. I’ll write to him again as soon as we reach Marquette.”

“Don’t you worry none, Miss Weesa May,” she replied. “I’ll keep a good eye on the place.”

“So’ll I,” said Mr. Carter, although he had not been asked. I think he resented that my aunt had given Nellie the key over him. But it did not matter—he would stick his nose in our business anyway by driving over every few days to check on the house.

“Let me give you a hand, Miss O’Neill,” he offered, helping my aunt into the wagon.

I crawled into the back with the suitcases, wishing instead we could ride to the train depot in my father’s automobile. Would I ever get to ride in it again?

We had barely waved goodbye to Nellie and pulled away from the house when my aunt, as if reading my mind, said, “I’m surprised, Mr. Carter, that being such a prosperous landowner, you haven’t bought yourself an automobile.”

“Don’t believe in ’em,” Mr. Carter replied. “Dem contraptions is jus’ a passin’ fad.”

“Well, I imagine they’ll be around longer than this horse of yours,” Aunt Louisa May said. Jeb Stuart was a rather run-down nag.

Mr. Carter began whistling “Dixie” to ignore her. I think it was the only tune he knew. My aunt and I exchanged amused glances. Mr. Carter was a stubborn old man, set in his ways and unlikely to change. He would not have driven that old nag any faster to the train station if Sherman’s army were after him. But his whistling reminded me that I wouldn’t be in the land of cotton anymore. Marquette seemed an unimaginable place, from all I had heard about it. It was like a fabled land where the snowbanks reached six feet high, where people had to snowshoe or ski to get around in winter, where even on the hottest summer days, the temperature scarcely exceeded eighty, and Lake Superior, the world’s largest freshwater lake, was within walking distance from everywhere in the little town. I could not imagine living amid such cold weather, in a place so contrary to everything I had previously known.

Mr. Carter kept up his whistling all the way to the train station. We had no conversation—I think my aunt and I were both exhausted from the long days of preparing for my mother’s funeral, the thought of the long trip North, and the all-consuming grief in our hearts. I had not even cried for my mother, except the day of her death; I felt numb all over, as if the world were moving on, as if I were going through the motions of living, merely going to Marquette because I was told, not really caring what became of me. I fell into a melancholy daze until Mr. Carter coughed, and then I saw we were pulling up to the train depot.

“Well, Robert, hope ya have a good time up North, and that ya come back here soon,” he said, after pulling our luggage out of the wagon and handing it to my aunt and me.

“Thank you, Mr. Carter,” I said. “You’ve been a good friend to my parents, and I thank you since they are not here to do so.”

I felt very adult saying such words. Mr. Carter had always hung around our house, eating our food, amusing and occasionally annoying my parents with his shiftless ways, but I thought it best to be polite when we were parting. I felt I was being very big and gracious considering his recent degrading remarks about my family.

“Don’t ya worry none. I’ll keep an eye on the house while you’re gone.”

“Goodbye, Mr. Carter,” said Aunt Louisa May. “Thank you for everything.”

He tipped his hat to her, and for a moment, I saw their eyes meet and an odd smile of approval cross Mr. Carter’s face. My aunt, seeing him smile, looked bewildered and quickly reached for my hand. Mr. Carter turned to spit out his tobacco.

“Well, see ya,” I said to him, as Aunt Louisa May pulled me toward the train.

We quickly got on board, found our seats, and waited silently for the train to pull away. In a few minutes, my childhood world was left behind.

I felt lonely as the train headed North and familiar sites disappeared. My aunt sat quietly for a while, doubtless exhausted from all the urgent arrangements she had been forced to make. She stared out the window until long after we had crossed the border into North Carolina. Once or twice I heard her sigh. After half an hour, I pulled out a book and tried to read—I remember nothing of the book now, except that a mother was in it, which immediately made me think of my own mother. I felt less grief-stricken now than angry that my mother’s death meant I must live up North. And again, I felt anger stir in me over Mr. Carter’s words—what did he know? He was always exaggerating the truth—my own father had said so on more than one occasion. I could not trust Mr. Carter’s words.

“I’m sorry, Robert. I’ve been day-dreaming,” said my aunt, turning toward me. “It’s just so hard for me to imagine your mother being gone. I’m sorry your life has to be so disrupted like this, but I don’t know what else can be done since your father is away. We’ll just have to make the best of it. I wish your grandmother hadn’t twisted her ankle—I imagine she’d make a better traveling companion for you than me.”

“It’s all right, Aunt Louisa May,” I said, wishing to soothe her. Her eyes looked red, as if she were holding back tears. “During times like these, we have to do our duty, and mine is to cause as little trouble for everyone as possible.”

I was proud of how brave I sounded. I told myself that even if I were going to live with my grandmother and aunt, I would be man of the house.

She smiled. “You’re a good boy, Robert. Your grandmother and I will be happy to have you with us. I still can’t get over how much you look like your mother.”

She meant the words kindly, although I would have preferred to resemble my father. And the mention of my mother again reminded me of Mr. Carter’s words—that my mother’s family had deserted the South and sided with Yankees. I decided it was time I knew the truth.

“Aunt Louisa May, how come my mother was from Marquette, yet she married my dad who was from South Carolina?” I asked the question although I was afraid of the answers. “Isn’t your side of the family also originally from the South? I’ve never really understood that, although I know at one point my mother told me she and my father are cousins of some sort.”

“Your parents are second cousins,” my aunt replied. “They met when we came down South once to visit my Great-Aunt Abigail. When your parents got married, your mother decided to live down here with your father.”

“But then,” I said, “if they’re cousins, why does half the family live in Marquette and half down South?

“To explain all that would make a long story,” Aunt Louisa May said.

“It’s a long train ride to Marquette,” I replied.

I would rather hear a long story, and know the full truth of it at once, before we reached Marquette; hearing of my family’s dishonor seemed preferable to sitting in silence and ignorance, alone with my grief and fears.

“I just want to know,” I added, “if we’re really Southerners or Yankees?”

My aunt laughed. “I never thought of it that way. I don’t think anyone in Marquette would label himself a Yankee, but you Southerners have a different perspective I suppose.”

Her saying “you Southerners” gave me hope; even if she were a Yankee, I was a Southerner. Yet I waited patiently for further explanation.

“I guess by rights you could say your mother’s half of the O’Neill family are expatriate Southerners.”

I did not like that term “expatriate” but it was less harsh than “deserter” or “traitor.”

“How long have we lived in the South?” I asked. “Aren’t we originally Irish?”

“Oh yes,” said my aunt, “although I don’t know anything about the family when they lived in Ireland. I only know that my father’s grandfather was Seamus O’Neill, and he came to America around 1820 or so and settled in South Carolina. I don’t know anything else about him except that he had two sons, Edmund and James. Edmund O’Neill was your great-grandfather on your mother’s side, and James O’Neill was your great-grandfather on your father’s side, but I don’t really know anything about James’s family, so you’ll have to ask your father about that.”

“But how did your side of the family end up in the North?” I asked. “When did that happen?”

“Edmund and James tried to make a living off the land their father left them, but while James was headstrong and strict about business, Edmund had no interest in farming. They owned a few slaves—not more than a dozen I would say. James insisted they would need more slaves to make the farm profitable, but Edmund refused to buy more. On his honeymoon, he and his wife Dolly had traveled to Washington D.C., where they had heard an abolitionist speaking. From that time on, he began to feel more and more that slavery was wrong.”

“I don’t know how anyone could ever doubt it,” I replied. Yet I was surprised by my reaction—why was I so upset that my family should desert the Southern cause when I believed slavery was wrong? I would have been incensed if anyone had treated Nellie like a slave.

“Well, we live in a more enlightened age now,” said my aunt. “In those days, people quoted the Bible to support slavery. James apparently didn’t care whether slavery was immoral—he just knew he needed more hands to make the farm profitable. To ease his conscience and still not disagree with his brother, Edmund sold his land to James.”

“What difference did that make?”

“Edmund freed the slaves he had. He said he couldn’t bear to see them remain in bondage. But I doubt it made any difference because my father said the slaves couldn’t find work anywhere in the county, and when Edmund offered them money so they could go North, they said they weren’t going to leave their home, so they stayed at the farm, working for the minimal pay James gave them. I’m sure Edmund meant well, but his actions didn’t really make any difference. Only the war made the difference.”

“So then what happened?”

“James was infuriated with his brother—he purposely paid the ex-slaves low wages, and he called his brother a traitor. He said he could not operate the farm and pay wages and that he would go bankrupt, although I guess he managed to get by until the war. But I don’t think the two brothers ever spoke again.”

I could see James’s point—why should he pay for what he had really inherited? His brother, rather than helping with the farm, had only cost the family more. Yet, I felt rather proud that my great-grandfather had stood by his principles.

“And then Edmund moved to the North?”

“Yes. He had heard about the iron ore discoveries in Upper Michigan, and somehow he got it into his head that he could make a great deal of money up there without having to own slaves, so he came to Marquette back when it was just a little village of a few hundred people. That was about the mid-1850s I guess. My father, whom you’re named after, and his sister, my Aunt Carolina, were just children then. Of course, my father has been dead for years, but you’ll meet Aunt Carolina when we get to Marquette.”

“It must have been hard,” I said, “for our family to leave everything they knew in South Carolina to move to a new town.” I was thinking of my own situation.

“I’m sure it was,” said Aunt Louisa May. “Edmund must have loved the South or he wouldn’t have given his daughter the name of Carolina. I wish before he died, I had thought to ask him more about it, but you never think to ask those questions when you’re young.”

I felt proud of myself to be so young and asking questions—but I might not have asked if Mr. Carter had not riled me up.

“What happened to James during the war?” I asked.

“He must have gotten by somehow, even after his slaves were freed. I guess the farm had to be sold eventually by your father’s father after James died, but I don’t know much about that. That was before I ever knew that side of the family.”

I thought about this for a while, wondering what it was like to own a farm full of slaves, only to lose it all.

“Your grandmother might know something about it too,” Aunt Louisa May added. “She could tell you stories about life during the war since she lived through it down here.”

“She wasn’t born in the North?”

“Oh no, she grew up not far from where your parents live now. During the war, her parents both died, and Yankees burnt down the family plantation. She was an only child, and just a little girl during the war, so she went to live in Charleston with her Aunt Abigail. That’s where she met my father.”

“And your Father fought for the Union?”

“No, not quite. My father was Edmund’s son. He was just a boy during the war, but afterwards, he joined the army and ended up being stationed in Charleston during the Reconstruction. My mother’s Aunt Abigail was from one of the oldest families in South Carolina, and somehow, her fortune came through just fine during the war—rumor said she and her husband were trading with the Yankees. I doubt that’s true. I think that after the war, they just accepted what most Southerners wouldn’t—that they would have to befriend the Yankees if they wanted to survive. They had a great big house in Charleston, so they had gigantic parties for the Yankee officers; my father was invited to one of her parties where he met your grandmother. She’ll tell you that the neighbors thought it bad enough she would marry a Yankee, but to marry a man whose parents had been Southerners and deserted the cause—well, that would have made her a social outcast in Charleston. But Aunt Abigail told your grandmother that she would have a better life in the North, so she married my father anyway, and once his military duty was over, they moved to Marquette.”

“And then my mom and dad met when Grandma came back to the South to visit her aunt?”

“Yes, and that was a bit difficult for them as well, just as it was for my parents. My mother thought your father was a good young man, but his father, Jefferson Davis O’Neill—you can imagine why James O’Neill picked that name for his son—very much opposed the thought of his son marrying the granddaughter of his traitor uncle. Jefferson Davis O’Neill had only been a baby during the war, but he ranted and raved that no son of his would marry a Yankee. Your parents insisted they would marry anyway. My mother tried to talk sense into your father’s father, but he flew into such a conniption fit that he had a stroke and died two days later. That was a depressing start for a marriage, but once the mourning period for him ended, your parents got married anyway.”

“I’m sorry my grandpa died that way,” I said, “but it sounds like it was his own fault.”

“He was a proud man,” Aunt Louisa May replied, “and his father had poisoned him against our side of the family.”

“I’m glad my father isn’t ornery like his father and grandfather were.”

“Well, maybe they weren’t always that way,” said Aunt Louisa May. “Your father knew them better and can fill in any holes in my version of the story.”

It all sounded so foolish to me—that James O’Neill would refuse to speak to his brother for the rest of his life, that Jefferson Davis O’Neill would oppose his son marrying because of a feud between his father and uncle. Why couldn’t people let the past rest? And why had I been so worried about it—these events had all happened years ago, so why should I care what Mr. Carter or anyone else thought?

“So,” my aunt finished, “I don’t know whether that answers your question about us being Yankees or Southerners. I think you could just say we’re an American family.”

“Mr. Carter doesn’t think so,” I said. “He’s the one who told me your side of the family were Yankees and deserters of the Southern Cause.”

My aunt pursed her lips. “Mr. Carter is a foolish old man. He—” But then she held her words, thinking better of it, and instead said, “The Civil War has been over more than fifty years. People who hold onto the past like that only hurt themselves. I think once Mr. Carter’s generation is gone, no one will care whether someone’s family fought for the North or the South. We’re all one nation now.”

I agreed with Aunt Louisa May, yet I knew plenty of Southerners who thought differently—I knew the stubborn pride of my neighbors—and I had heard the stories of hunger and homes burnt down by Yankees during the war. If the South had treated the North that way, the same anger would have existed on the other side. Would another fifty years heal the pain better than the last fifty?

“I often thought,” my aunt mused, “that your mother was a brave woman to move down here, especially when she was a Yankee and descended from an apparently despised Southerner family. I give her and your father both a lot of credit for staying steadfast in their love, despite the prejudice surrounding them.”

I felt pride well up in me at these words. My father had been brave to stand up against his own father and not let guilt over his father’s death stop him from following his heart. And my mother had left the only world she had known in Marquette, so she could live with my father in South Carolina, in what must have been a strange place to her when she was used to Lake Superior and snow. South Carolina had no real lakes, only rivers; on the rare occasion when it did snow, it would only last for an hour and then melt, and in summer, the temperature could soar over a hundred degrees. I felt proud of my mother, and of all my family who had been willing to move from the South to the North and back again. Now, by going to Marquette, I was doing the same.

I wondered what it would be like to live in Marquette; I wished I had paid more attention to my mother’s stories about her hometown, but Marquette had always seemed such an unbelievable place to me. I was about to ask my aunt to describe Marquette when she suggested we go to supper in the dining car, and once we had ordered, she began asking me about school, and telling me I would be enrolled at Bishop Baraga, the Catholic school in Marquette. We had no Catholic school back home—almost all the neighbors were Baptists—but both sides of my family had been Irish Catholic—at least there had been no religious conflict in the family. I wondered what the children in Marquette would be like—would they teach me how to ski or snowshoe? Would they make fun of me because I was from the South? Would they be smarter than me? No, they couldn’t possibly because the South had such fine schools, but then, if Southerners were so smart, wouldn’t they have won the war? The thought of going to school with all those Yankees made me nervous until I reminded myself they were not Yankees, just Americans.

After supper, my aunt and I retired to bed in our sleeper car. The next day, we talked little, both tired from the long journey. I wanted to ask her about Marquette, but finally decided I would just wait to see it for myself. I was too tired and anxious to read, so I mostly just stared out the window. The land of the lower Midwest was so bare and level. I had grown up in the foothills, surrounded by trees—I hoped Marquette would not be flat and lifeless like Ohio.

I kept repeating over in my mind the family story my aunt had told me; I struggled to remember all my ancestors’ names—Seamus O’Neill, his two sons, who were my great-grandfathers, Edmund and James, and then Edmund’s son was Robert, the grandfather I was named for, and James’s son, my other Grandpa O’Neill, had been Jefferson Davis, the one who had opposed my parents’ marriage. I tried to imagine what all their lives had been like, the anger some of them had felt, and the courage others had displayed. Where did I fit in amidst this family? My roots were in the North as well as the South; somehow I felt I would be more whole, more myself, once I had lived in both lands. Yesterday, I had feared being a Yankee; now I anticipated that living in Marquette would be a brave new adventure. I had promised my father I would be brave. I wanted him to be proud of me. I wanted to be good so God would make sure my father came home. And whatever obstacles faced me, I hoped my mother was watching over me from Heaven, and that the courage she had shown in moving South would now be mine as I moved North.

The Mather and Jopling Home – 321 Cedar Street

February 2, 2011

The Mather and Jopling Home

Henry Mather, the original owner of this home, was part of the prominent Mather family which has been so involved with the iron industry in Marquette County. The Mather family had already been famous since the seventeenth century in New England where their ancestors included prominent Puritan ministers Increase and Cotton Mather. The Mathers moved to Cleveland, Ohio from where the family would operate their interests in Upper Michigan’s iron mines. The Cleveland Iron Mining Company, today Cleveland-Cliffs, was begun by the Mather family.

Samuel Livingston Mather Sr. was a co-founder of the Cleveland Iron Mining Company, today known as Cleveland-Cliffs. Samuel Sr.’s first wife, Georgiana Woolson, would give him two sons, Samuel and Henry, and his second wife, Elizabeth Gwinn, would be mother to William Gwinn Mather. William Gwinn Mather would be head of Cleveland-Cliffs from 1890-1940 and would name the town of Gwinn, Michigan for his mother.

Samuel Sr.’s first wife, Georgiana Woolson, was the sister of Constance Fenimore Woolson. The sisters were great-nieces to the novelist, James Fenimore Cooper. Readers of The Only Thing That Lasts may remember Robert O’Neill’s visit to Anne’s Tablet on Mackinac Island and how it inspires his literary aspirations. Anne’s Tablet is a monument to Constance Fenimore Woolson, author of Anne and several other novels set in the Great Lakes area. Woolson lived in Cleveland where her nephews often visited her, and Samuel Jr. would later become her financial advisor. Although no record exists that Woolson ever visited Marquette, I count her as a literary predecessor for being one of the first authors to depict Upper Michigan—specifically Mackinac Island—in fiction, and she certainly would have known about Marquette. She also did well picking Samuel Jr. as her financial advisor; he became not only the richest man in Ohio, but he also had Anne’s Tablet built in her memory.

As for Henry Mather, he married Mary Hewitt, sister of Ellen Hewitt White, thus making him Peter White’s brother-in-law. Henry Mather built his home at 321 Cedar in 1888 and had it designed by Charles VanIderstine. Mather later sold the house to James Jopling, who had married his daughter Elizabeth “Bessie” Walton Mather. James Jopling had first come to Marquette in 1881 as a civil engineer. His brother, Alfred.O. Jopling, would marry Peter White’s daughter Mary. Over twenty-six mining companies would employ Jopling as a mining engineer before he went to work exclusively for Cleveland Cliffs for forty years. James Jopling would be hired by the city to build the road to Presque Isle, which included filling in the swamp that separated it from the mainland.

James and Bessie’s only child, Richard Mather Jopling, was born in Marquette but attended school back East. He reputedly loved Marquette and returned home frequently to visit. His aspirations as a writer were cut short when he died in World War I while serving in the ambulance corps in France. His only book Prose and Verse by Richard Mather Jopling was published posthumously in 1919. His parents signed a copy they gave to Alfred.O. Jopling, his uncle, which is now part of the Peter White Public Library’s collection. The Jopling home would later belong to Dr. Fred Sabin, an ophthalmologist for nearly fifty years. It has since been sold again.

The home is approximately 4,000 square feet in size, contains a formal dining room, large butler’s pantry and an enclosed sun porch with a south view of Lake Superior, five bedrooms and baths and several stately fireplaces. It retains its original woodwork, oak wainscoting, and French pocket doors.

For more about Marquette’s historical homes, read My Marquette.

Marquette’s Historic Peter White Public Library

November 29, 2010

Peter White Public Library - A National Treasure

On November 15th, Peter White Public Library announced what everyone in Marquette and the surrounding townships already knew – the library is the jewel in the Queen City’s crown – and as good or better than any library in the United States. The library was picked out of 123,000 libraries in the country as one of only five to receive the National Medal for Library and Media Services. You can read more about this wonderful honor that has made all very proud at the library’s website http://www.uproc.lib.mi.us/pwpl/NationalMedal.html

Following is the section from My Marquette about the history of the Peter White Public Library. Additional historic photographs of the library are included in the print version of the book:

            Helen and I started up the library’s high front steps.

            “Isn’t it beautiful?” asked Helen, stopping after a couple seconds to admire the building. “It looks just like a Greek Temple.”

            “Yeah,” I said, “or a Southern plantation house made of stone.”

            “We have bigger libraries than this downstate,” said Helen, “but I haven’t seen one so graceful.”

— The Only Thing That Lasts

 

Although the current impressive and beloved library building was built in 1903 and opened its doors the following year, Marquette’s first library began not long after the town’s founding.

In Iron Pioneers, several of the female characters early on form the Ladies’ Literary Society, an early book club as well as a sign of social distinction in some of its members’ eyes. Although this group was fictional, reading clubs, especially among women, were common in the nineteenth century, and such groups often were the proponents of building libraries. Marquette did have a literary society as early as 1856, and a lending library existed soon after on Baraga Avenue. This lending library was destroyed by the 1868 fire. In the 1870s the library, which belonged to the Marquette school system, was downtown in the Coles Block. At the time, Peter White also had his own personal library collection that he loaned out, so when he built the new First National Bank on Front and Spring Streets, he allowed the library to relocate there in 1878 and merge its collection with his own. Later, in need of more space, the library moved to a room in the City Hall. By 1891, the library’s collection had grown to the point of needing a new home, which it found on the Thurber Block, where Book World is currently located. Because Peter White donated this building, the library was named in his honor.

This new building was also soon found to be too small. Peter White then tried to convince Andrew Carnegie to fund a new library in Marquette—Carnegie would do so for nearby Ishpeming—but Carnegie replied that Marquette was Peter White’s city, so Peter White once again took up the challenge to play benefactor to Marquette and fundraising efforts began. John M. Longyear donated the land for the new building and Peter White and Samuel Kaufman donated most of the money.

In 1904, the new library was officially dedicated and opened on the same day as the new courthouse. The impressive limestone structure, with its large pillars and situated on top of Front Street’s hill, resembled a Greek Temple of Knowledge. Complete with a downstairs smoking room for men, the new library had three floors and seemed plenty spacious for the book collection.

But within fifty years, the collection again outgrew its space. Increased use by patrons and 70,000 volumes led to building an annex on the back of the library in 1957, which included the Children’s Room and storage for most of the adult fiction and the phonograph record collection as well as a large downstairs room for films, puppet shows, and book sales. This version of the library is the one I would know throughout my childhood.

But the people of Marquette soon wanted still more from the library. Far beyond just being a place to check out books, Peter White Public Library was becoming the cultural center of Marquette and a new library was needed to reflect this change. Residents’ affection for the original building was too great to destroy it, so instead, in the late 1990s, the annex was removed and a new addition created which would gracefully blend in with the architecture of the original building. The remodeling would result in the library building being closed for two years and its collection being housed in dormitories at Northern Michigan University where patrons could still access it.

Then in 2001, the new library was opened. The public could not have been happier. The original building was completely retained, and it includes two large reading rooms upstairs, two more reading rooms downstairs, and an art gallery. The new addition, besides containing a collection well surpassing 100,000 volumes, also houses an enormous children’s room, a café, a community room, a gift shop, and the Marquette Arts and Culture Center’s exhibits and space for its art and other cultural classes. In addition, the library’s film and music collection had ample room, and the Rachel Spear bell collection was given prominent display.

The Peter White Public Library is hands down my favorite place in Marquette. I began visiting it first with my preschool class—we would go on “field trips” there just across the street from the First Presbyterian Church to see movies and puppet shows.

After preschool, my library visits were rare because until about 1980, the library’s bookmobile would bring books to the outlying townships. The bookmobile arrived in my neighborhood of Stonegate at the Crossroads about 3:30pm every other week just as the school bus brought us home. We would quickly leave the bus and rush to the bookmobile where Ruth Lee, the driver-librarian, would patiently let us kids dig through the books while she chatted with our parents. I brought home many, many books from the bookmobile including Where the Wild Things Are and numerous of the Bible story rhyming Arch books. But my absolute favorite, which I checked out countless times, was George and Martha, about two hippopotamuses whose friendship usually results in Martha teaching George a lesson, such as just to tell her he doesn’t like split pea soup rather than hiding it in his loafers, or not to be a Peeping Tom by whacking him over the head with the bathtub. As an adult, I still find George and Martha hilarious as well as a wonderful way to teach children basic manners.

About the time I was in fourth grade, funding for the bookmobile was cut so my mom started taking my brother and me to the library. We were only allowed in the children’s room where we would get to visit with our cousin, Merrie Johnson, who worked there. Always a favorite with the kids, Merrie retired in 2005 after more than thirty years at the library; a huge retirement party was held for her in the community room.

As a child, my favorite books to check out included Andrew Lang’s colored fairy tale books and copies of the Wizard of Oz series. As I got older, I discovered the Rainbow Classics, published mostly in the 1940s and edited by May Lamberton Becker—I think I loved them mainly because they were old and they had wonderful colored illustrations, but they also infused a love of literature in me as I graduated from Andersen’s Fairy Tales to Little Men to Jane Eyre and Wuthering Heights. After reading one Rainbow Classic, I would scan the list on its back cover to pick out another until I had read them all, and then I sought out more classics. By the time I was fourteen and allowed into the library’s adult section, I was ready to gobble up Agatha Christie mysteries, and more classics—Charles Dickens, the Bronte sisters, Mark Twain, and Jane Austen.

Of course, it would have been impossible not to mention the library in my novels. In Iron Pioneers, Edna Whitman is an early librarian and mourns the library’s loss in the 1868 fire. In The Only Thing That Lasts, Robert O’Neill is enthusiastic about his first visit to the library and impressed by its classic architecture. In The Queen City, Kathy McCarey is at the library when she hears Peter White has died.

As for me, today at least once a week I can be found at the library, checking out a book, CD, or video, attending a film—the annual Bollywood film night is a highlight of the winter season—or just admiring the latest art exhibit. As an author, I’m pleased that my books are in the library’s collection, and I’ve gotten to know many of the librarians over the years as I’ve participated in different library events and helped to plan the Upper Peninsula Publisher and Authors Association’s conferences that have been held there. The library staff is wonderful, enthusiastic, and ever ready to support the arts and the community.

The building and people have made Peter White Public Library the true cultural center of Marquette. Every library patron knows how lucky Marquette is to have such a wonderful library that far outshines those in most metropolitan communities, and visitors to our city never cease to rave about it.

A large bust of Peter White sits across from the circulation desk. At Christmas, he dons a festive holiday hat or Santa’s cap. Knowing Peter White’s sense of humor, I’m sure he enjoys all the festivities and the people who pass him each day. His generosity in funding the library has truly been the gift that keeps on giving to the community.

– from My Marquette, available at www.MarquetteFiction.com

Marquette’s Hotel Superior

November 4, 2010

The following is an excerpt from My Marquette. The actual book includes a photo of the hotel. And if you haven’t done so already, check out the My Marquette video at YouTube: http://www.youtube.com/watch?v=EItghh5yKzU

My Marquette

HOTEL SUPERIOR

            “There’s the Hotel Superior!” shouted Clarence.

            “That’s a hotel?” asked Gerald as Will turned the wagon up its driveway.

            “Yes,” said Will. “It was built to be a fashionable health resort. Marquette is considered to have the healthiest climate in the world because of its fresh air and clean water, so people come from all over the country to spend summers here.”

            “I can see why,” said Gerald, straining his head to see the top of the Hotel Superior. “It looks like you could fit the entire population of Marquette into this hotel—probably all the livestock from the surrounding farms as well.”

            “Only the richest people can stay or eat here,” said Clarence.

            “Well,” said Gerald, raising his eyebrows, “I hope they’ll let us in then.”

— Iron Pioneers

            Today, all that remains of the Hotel Superior are a few foundation pieces at the terminal points of Blemhuber and Jackson Streets. There is little point in going to the site and trying to locate these—they are not easy to find. Better to look at a photograph of the grandest hotel Marquette has ever known.

            The Hotel Superior was built with the belief that Marquette could be celebrated as a health spa environment full of fresh air, clean water, and refreshing lake breezes that would invigorate people. It was the northern answer to the doctor’s urging a sick person to spend the summer at the seashore. A visit to Marquette was touted as able to relieve hay fever sufferers, and also as the perfect place to summer if you were wealthy and traveling on the Great Lakes. The intention was for the Hotel Superior to outrival all other hotels on the lakes, including the recently built Grand Hotel on Mackinac Island.

            The Hotel Superior’s enormous tower rose up two hundred feet, while its pointed arches resembled a Bavarian castle. Inside, visitors were treated to the latest innovations in plumbing and electric lighting. Even Turkish baths were available. The spacious porch was sixteen feet wide, and the porch and rooms provided a view of scenic Lake Superior as well as South Marquette. Lush gardens filled the grounds. Nothing like the Hotel Superior had ever been seen, or ever again would be seen, in Marquette.

            But right from its opening in 1891, the Hotel Superior would have its troubles. When I wrote the original draft of Iron Pioneers, I set in 1894 the scene where Gerald Henning takes his grandsons to lunch at the Hotel Superior and they are pleasantly surprised to be joined by Peter White. Later, in double checking my facts, I discovered that as early as the summer of 1894, the hotel had closed because of financial troubles. Fortunately, it reopened in 1895, so I moved the scene to that year.

            Considering how few years the Hotel Superior actually operated, I set as many scenes as possible there—two. The second scene is in 1897, when a ball was held in the hotel following the unveiling of the Father Marquette Statue—at this grand ball, thirteen year old Margaret Dalrymple is annoyed that handsome seventeen year old Will Whitman is dancing with a “hussy” (Lorna Sheldon, who would eventually be the mother of Eliza Graham in The Only Thing That Lasts). By the time of The Queen City’s opening in 1902, the Hotel Superior was already closed. Neither the hay fever sufferers, nor the rich and famous came frequently enough to keep the magnificent summer resort in business.

            From 1902 onward, the Hotel Superior stood vacant. As long as it remained standing, Marquette residents dreamt of it someday reopening, of its two hundred rooms filled, of people once more strolling along its five hundred foot veranda. But as the years passed, twenty-seven acres of gardens became grown over and the orchestra music could no longer be heard.

            The Hotel Superior became the stuff of mystery in its last years. Boys would reputedly break in to roller skate in the hallways and have pillow fights which resulted in feathers flying out of the high windows and covering south Marquette. Then after it was torn down in 1929, a task Will and Henry Whitman assist with in The Queen City, it became the stuff of legend. Local English professor and author, James Cloyd Bowman, whose book Pecos Bill: The Greatest Cowboy of All Time was a Newberry Honor book in 1938, used the Hotel Superior as the subject of his 1940 children’s novel, Mystery Mountain.

            The glory of the Hotel Superior lingered long in the memories of Marquette’s residents. My great-aunts and uncles who remembered it from their youth frequently mentioned it to me, although it would have already been long closed by the time they were all born.

Anyone who sees a picture of the Hotel Superior today marvels that it ever stood in Marquette. We can only now imagine what it was like to stroll its veranda or to sit in its dining room and have lunch with Peter White.

Marquette’s Opera House

October 16, 2010

            The Marquette Opera House was a stately edifice, the grandest in the Queen City’s downtown. The building had been constructed in 1892 at the instigation of the city’s greatest benefactors, Peter White and John Longyear. The foundation was built of Anna River brick and native Marquette brownstone. The front entrance had a Romanesque arch through which the city’s residents passed in their most elegant habiliments. While the building also housed a storefront and a Masonic Hall, the theatre was the building’s gem. The interior reflected the height of the Italian Renaissance, while the proscenium arch served as gateway to the grandest scenes ever played on a Marquette stage. Ornate boxes filled the walls, and in one such princely seat, Beth found herself seated between her lover and her annoying cousin.

            First Thelma commented about the comfortable seat. Then she fretted over how well she could see the stage. Next she listed the names of everyone in the theatre whom she knew, and since the theatre could hold up to one thousand people, and almost everyone in Marquette knew everyone else, this recital lasted until the lights dimmed and the orchestra began to play.

            Beth hoped Thelma would keep her mouth shut during the performance. She vowed she would never forgive her mother for sending Thelma as her chaperone. But what did it matter? Henry clearly had no intentions tonight of asking her to—

            He reached over to take her hand. Beth hoped Thelma would not notice.

— The Queen City

 

            Of all Marquette’s grand old buildings that were gone before my time, the Marquette Opera House is the one I wish I had seen and the one for which I feel most fond because of its role in my family’s history as well as its sensationally tragic end.

           My grandparents’ courtship was as intriguing a story as any to me. Their religious differences inspired two marriage problems in my novels, first when I wrote The Only Thing That Lasts where Robert’s Grandma and Mr. Carter do not marry in their youth because she is Catholic and he a Southern Baptist, and later in The Queen City when Henry and Beth, based loosely on my grandparents, have a long engagement.

            Despite the religion issue, my grandpa decided to propose to my grandmother. The event occurred at the Marquette Opera House sometime in the late 1920s. My grandmother, her parents being overprotective, had a friend with her as chaperone, although hopefully the friend was not as annoying as Beth’s talkative cousin, Thelma. Although the religious differences would keep my grandparents from getting married until 1934, the Marquette Opera House was the place where their courtship and pending nuptials were confirmed. I doubt a more romantic place existed in Marquette for my grandparents to pledge their love since by all accounts the opera house was a truly elegant structure.

            The Marquette Opera House was built in 1890 with Peter White and John M. Longyear forming a corporation to sell stock to fund its construction. When completed, the building would contain three floors, including not only the theatre but four shops on the first floor, office suites on the second, and a third floor leased to the Masonic order.

Designed by local architect Carl F. Struck, the building’s exterior was of native brownstone and brick with a Romanesque entrance of Portage Entry sandstone. The interior, however, was the most stunning. A stairway led to the ticket office. Hallways led to the dress balcony and the Masonic Hall. The style inside was Italian Renaissance with ornate boxes, frescoes depicting comedy and tragedy, and of course, an impressive proscenium arch with an Italian landscape painted on the drop curtain. The plush chairs—enough to hold 900—were the same as those in New York’s Madison Square Garden. Popular plays and operas were performed including the Victorian favorite, Uncle Tom’s Cabin.

            In 1927, the building was bought by the Masons and became known as the Masonic Building. By that time, movies had come to Marquette and the Delft Theatre had been operating a dozen years, so to compete, a variety of performances transplanted some of the more traditional plays and operas. Nevertheless, many performances were played here to great success, and it was not uncommon for national celebrities to visit, including Lillian Russell, Lon Chaney, John Philip Sousa, and W.C. Fields. I only wish I knew what performance my grandparents watched the night of their engagement.

Like many an opera heroine, the Marquette Opera House would meet a tragic ending.

Stay tuned to my next post to find out the dramatic story of the opera house’s end. The full story, complete with a photo of the Opera House’s interior can be found in My Marquette.

“MY MARQUETTE” coming Christmas 2010!

June 26, 2010

My next book - coming Christmas 2010

Welcome to my new blog celebrating “My Marquette,” both the upcoming book and my stories about life here in The Queen City of the North, from fiction to history. I look forward here to sharing my love for Upper Michigan with all my readers and hearing your own stories. More to come soon!

In the meantime, be sure to check out my website www.MarquetteFiction.com for information about my previous novels including The Marquette Trilogy: Iron Pioneers, The Queen City, and Superior Heritage as well as Narrow Lives and The Only Thing That Lasts.

Enjoy!

Tyler R. Tichelaar